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陈晓明教授(北京大学)

发布日期:2018-03-07

      陈晓明,北京大学中文系教授、博士生导师,中文系系主任,长江学者特聘教授,兼任中国文学理论学会副会长、中国当代文学研究会副会长、中国文学批评研究会副会长等职。主要研究方向为中国当代文学思潮和后现代理论与批评,著有《无边的挑战——中国先锋文学的后现代性》、《中国当代文学主潮》、《德里达的底线》、《众妙之门——重建文本细读的批评方法》、《无法终结的现代性》等。


中国当现代现实主义的源起与转向

As the dominant norm in literary theory and criticism, contemporary Chinese realism once followed the Soviet socialist realist model, as well as harbored possibilities for inheritance from modern Chinese realism. Historically, it chose a radical path that doggedly eliminated the modern tradition, as exemplified by the exile of Feng Xuefeng and Hu Feng. Since Mao’s “Speech”, contemporary Chinese realism withdrew from modern tradition to start anew. Borrowing from the Soviet model, it failed to successfully establish itself for the lack of support from the local artistic practices. Moreover, theorization of such practices failed to achieve proper criticism in aesthetic terms. Such an “origin” or “deviation”, “elimination” or “departure”, as we observe more than half a century later, presents us with valuable experience. Today, realism in China has evolved into a fundamental method, and is assimilated by all kinds of “-isms”, whether modernism, postmodernism or romanticism. We can safely conclude now that Chinese realism has finally opened up, and advance in the direction of diversification, thus making itself full of life and vitality.